Lol ! These are ‘The New York Times Paintings’ you doofus. He’s been making these since at least 2015 that’s Before Trump even existed ha :) Did you do any research ? These aren’t a brand new thing he just decided to do yesterday. Like you and your “review” ha! 🤣
I am referring to the single image at the center of the show, which is clearly cribbed from the capitol riots, and clearly seem to be signaling towards the anti-Trump hysteria, so I get it, they're part of a longer series, but I can't see why you'd appropriate that specific headline without attempting to continue the art world's anti-Trump syndrome
Yeah this is lol. What happens when you get to antiwoke I guess. That Guyton who you have on a formal and conceptual pedestal, betrays you somehow by using his money printer to print a NYT headline. Something he has been doing for years. Get it together bro.
again, why that specific image? the one that fear mongered and gas lit us into a new era of Patriot Act 2.0, if not to flatter the political sensibilities of the pervasive ideology of the art world itself?
Lol ! These are ‘The New York Times Paintings’ you doofus. He’s been making these since at least 2015 that’s Before Trump even existed ha :) Did you do any research ? These aren’t a brand new thing he just decided to do yesterday. Like you and your “review” ha! 🤣
I am referring to the single image at the center of the show, which is clearly cribbed from the capitol riots, and clearly seem to be signaling towards the anti-Trump hysteria, so I get it, they're part of a longer series, but I can't see why you'd appropriate that specific headline without attempting to continue the art world's anti-Trump syndrome
Yeah this is lol. What happens when you get to antiwoke I guess. That Guyton who you have on a formal and conceptual pedestal, betrays you somehow by using his money printer to print a NYT headline. Something he has been doing for years. Get it together bro.
again, why that specific image? the one that fear mongered and gas lit us into a new era of Patriot Act 2.0, if not to flatter the political sensibilities of the pervasive ideology of the art world itself?